From Broadway World: "THE ORCHID FLOTILLA unfolds in five parts that go from sunrise to sunset and spans 13 years of the woman's life. The performers/puppeteers are Caroline Reck and Gricelda Silva and they are both glorious storytellers. There may be no dialogue, but they say far more than words can with expression and movement. Underscoring the evening is a beautiful score by Adam Sultan and an exceptional sound design by K. Eliot Haynes. There is also a stunning lighting design by Megan Reilly. Each of the parts of this production shares an equal importance in telling this stunning, moving, ephemeral dream-story."
From Austin360.com: "K. Eliot Haynes’ lovely sound design pairs with Megan Reilly’s dynamic lighting to create a world for the play that runs the gamut of playful, serene, and sad. These production elements saturate the performance with atmosphere and serve as profound backdrop for Reck’s movements."
We did this show in 2012 and it's been a favorite project of mine since, a piece that I love with all of my heart and hope as many people as possible get to experience. If you're in/around Austin, come see it before it closes September 20.
2. One year ago this week we brought Ygritte inside to live with us and forever torment Sansa and Asha. We found her living under our deck last summer, 4 or 5 months old. She is hysterical, sweet, and demonic. She drives everyone crazy and runs the whole house, and I'm pretty sure that Sansa still holds a grudge against me for bringing her inside.
|Much less whiny after we got the cat tree.|
4. I am pretty sure I saw some of the worst in humanity these past couple of weeks on the internet. I have been following #GamerGate and while I knew that the gamer community was misogynistic I didn't know HOW BAD until this occurred. And the one thing that I walk away from it feeling is that art has to stand up to criticism and discussion, and it's unreasonable to ask that games be taken seriously without it. And that's what I've seen - people who insist that games be taken seriously, usually as an art form (which I believe they are), are now harassing those that TRY to take them seriously. If you never want something that you love to face deconstruction and dissection and scrutiny from people in circles outside of your own, don't make it a THING. Keep it quiet, keep it to yourself. The second that art is shown to the public, the public (including critics, reviewers, writers and even (gasp) women) are going to respond. That's the point.
5. Tomorrow night, Shrewd Productions' "Still Now" opens at City Theater. The next day, Travis, Will and I are driving to Galveston to leave on a cruise for a few days. The cruise is sandwiched in between two techs for me. I plan to spend most of those five days sitting by a pool, reading Jeff Vandermeer's Southern Reach Trilogy, and drinking margaritas. See also: my first time trying SCUBA diving and hiking Mayan pyramids. The day after we return, I focus "Guapa."